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sweet-gwendoline-french-gin-is-based-on -the-artwork-of-john-willie

john willie
aka j.w.

Mid-century
visual artist
and publisher,
“John Willie” and
his wife, muse,
and inspiration,
Holly Anna Faram belonged to a clandestine community of enthusiasts with a richly diverse and liberal view on consensual erotic pleasures.
john_willie_signature_for_sweet_gwendoline_french_gin
john_willie_for_sweet_gwendoline_french_gin
butterfly-artwork-by-john-willie-for-sweet-gwendoline-french-gin
sweet_gwendoline_french_gin_artwork
With  pen and lens, J.W. set about realizing a fetish-inspired magazine to provide them with a resource
to savor consensual pleasures in their “own sweet way”, as he would often write.
sweet_gwendoline_french_gin_artwork
He called his “fashion” magazine 
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and published his illustrations, photography, articles, and letters from readers at irregular intervals from 1945 to 1957. 
Bizarre
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Between its covers, John Willie buttoned up ideas of the fetish aesthetic.
He knew first-hand that wasp-waisted corsets, sky-high stilettos, and oil-slick gloves are charged with erotic appeal among enthusiasts.
Today, John Willie is feted as a visionary artist, his work influencing creatives throughout the visual arts, fashion, performance, and more.
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teacher-artwork-by-john-willie-for-sweet-gwendoline-french-gin
Sweet_gwendoline_french_gin_artwork
john_willie_artwork_for_sweet_gwendoline_french_gin
In 1946, our heroine and namesake first appeared in BIZARRE magazine in a teaser ad for a serial strip
that John Willie was developing.
Its stories are highly erotic role-play fantasies told through subversive wit and humor wrapped in knots and corsets.
Sweet-gwendoline-french-gin-illustration-by-john-willie
But beneath Sweet Gwendoline’s feigned naiveté and damsel-in-distress routine is a woman in control and acting out her erotic fantasies.
In it, Sweet Gwendoline plays the hapless victim of various dastardly plots to restrain her.

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Merci beaucoup!

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